Exhibit A: a blog entry of mine from March 2007 titled “Passive Ambient Input“
Exhibit B: This Apple patent, dated July 2007.
Woo! I get a “geek karma” point for that one.
Exhibit A: a blog entry of mine from March 2007 titled “Passive Ambient Input“
Exhibit B: This Apple patent, dated July 2007.
Woo! I get a “geek karma” point for that one.
I saw this video tonight (via @siracusa) and was absolutely blown away. The video is a bit over 20 minutes long, but it blew my mind and I want to share it with you.
I want to be absolutely clear about this: I pay a lot of lip service to respecting farmers. (My father’s father, who lived in Forest City, Iowa, was a farmer his entire life.) I talk about how important factory workers and construction workers and mechanics are.
But when it really comes down to it, I am one of those elitist jerks who thinks that he’s better than a blue collar job. In my mind (and in more subtle behaviors) I degrade manual labor. I just want to confess that and point out that if we, as a society, keep making more and more people like me without making more people like the folks mentioned in this video, we’re in big trouble. I don’t know exactly what or how to change, but I’m very personally interested in the topic.

That’s pretty much it.
The other day Steph was going to head down to The Bell Museum of Natural History, and we had this brief conversation.
Steph: “Tomorrow I’m going to be at The Bell Museum in the afternoon.”
Josh: “Did you say The Dell Museum?”
Steph: “No, The Bell Museum of Natural History.”
Josh: “Oh! I thought you said The Dell Museum of Insufficient Foresight.”
OH SNAP! YES I DID!
Lately I’ve been entranced by Leopard’s built-in “Mosaic” screensaver. In case you’ve never seen it, I figured I should share it. (And in 490 x 306 glory, no less. Wow!) And if no one cares, at least we’ve got it archived here (edit: the movie file has sadly disappeared in the sands of time) as an example of a screensaver that was cool back in 2008.
What screensaver do you use?
Update 11/17/08: the thing that fascinates me most about this is that the original picture being constructed at the moment doesn’t need to be used to construct the final mosaic image. It’s as though all the pictures I will take in the future of friends and family I haven’t even met yet could be reproduced reasonably with the photos I already have. That kinda blows my mind until I realize it’s really just painting. All we see is color. Our memories are only arranged color and sound.
I already wrote about the War of the Worlds 2.0 plan made by Kris Kowal (with some minor help from me) and encouraged you all to try it out. I was really happy to see that some of you did! Hundreds of people participated (including @biz, one of the co-founders of Twitter, who participated with one tweet). Most created their own stories, staging their own photos and videos, tying events together logically. Kris wrote up a super-linky post-mortem. My friend Kevin wrote about the event. So did Wired, and they even quoted one of my darkest tweets. But I think I’m most proud of this particular quote from the Wired article: “It appears this is the first time (Twitter) has been used for mass fiction.” We made history!
I resonate a lot with a sentiment in Kevin’s aforelinked entry. He said “fictional posts about the potential death of your friend and their family are kind of disturbing.” Too true! I think all the participants were as fair as they could’ve been on Twitter making certain all tweets that were part of this fictional storyline were tagged with “#wotw2.” Some people don’t yet understand what tagging on Twitter is and what it implies, but that’s because this is a new medium. We’re giving birth to it right now. For the folks who, like Kevin, knew it wasn’t real, I consider it an exercise in stretching one’s mind into new areas of fiction. Fiction has never come quite this close to home before, and that’s one of the things that makes this effort so innovative and gives it power.
To be clear, I would never condone purposefully fooling people or regularly dwelling on dark things, but one could argue that Halloween is perhaps the one day on which such things are mostly permissible. I personally found it very revealing, and perhaps edifying, to discover first hand how unprepared I would be in the event of a terrorist attack or other cataclysmic event. Writing those tweets forced me to think through it. I was actually slightly shaken on the afternoon of Halloween, between 3pm and 4pm, writing that series of graphic tweets.
What follows is a chronological listing of all of my #wotw2 tweets, so you can see my own entire story if you’re interested, and so they’re preserved here when they inevitably become hard to find on Twitter months/years from now. My personal favorite spots in my own storyline were 1) the fun video that Eddie and I recorded and put up on YouTube, 2) giving the moment of the alien’s uprising (on Halloween at 2pm) a darkly-ironic soundtrack, and 3) the final moments after midnight when I “saw” a tripod standing in the bog behind my house, my final tweet leaving my and my family’s fate uncertain. Chilling!
Kris Kowal; friend, former Apple coworker, and JavaScript god; has taken the ideas in my previous Twitter Fiction entry and the (much-earlier) work of Ars Technica’s Ryan Paul and he has written up a plan. You must read this plan.
It sounds to me like Halloween on Twitter is going to be a blast this year! Will you join in?
I find the fact that this is an unplanned, unfocused story to be quite apropos to Twitter, actually. The story probably isn’t so much in the narrative itself as it is in the creativity of the participating individuals. That’s really the heart of “2.0.” Thank you, Kris!